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罗刚设计事务所丨920㎡精神的意象
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2022-07-18
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宅为本体，院为心性，二者之间的相互协调，随着审美需求和精神意识的明确，由通常的附属关系转化为灵活的功能补充、叠加，而后彼此依存，终融为一体。使抽象思维的内心世界衍生出具象的物理形式的“一方天地”——即庭院，这是人与自然协同进化的历史局部，也是自我情感的投射与认知的外化。
The house is the essence, the courtyard is the Spiritual side. With the clarification of aesthetic needs and spiritual consciousness, the mutual coordination transforms from the usual subsidiary relationship into a flexible functional complement, then interdependent with each other, and finally integrated into one. The abstract inner world derives a concrete physical form of "the world" - that is,the courtyard. which is a historical part of the co-revolution of man and nature, It is also the projection of emotion and the externalization of cognition.
长期以来，庭院与住宅的结合通过门的大小、窗的高低、洞的开口，使封闭的室内拓展并外延至更广阔的天地，眼前即景、身处自然，阳光和空气鱼跃而入，正如杰弗里·巴瓦的自宅给人感官上的丰富和精神上的愉悦一样，无论是居住场所，或者公共空间，庭院在空间布局里日渐显现出主导与支配的地位。
For a long time, The existence of courtyard makes the closed interior expand and extend to a broader world through the size of the door, the height of the window and the opening of the hole. Seeing theview, the sun and air suddenly jumped in, You can feel the sense of richness and spiritual pleasure just as Jeffrey Bawa’s own house. The courtyard gradually shows its leading, even dominant position in the space, whether in residential or public spaces.
审美的当代性
The Modernity Of Aesthetics
━
在东方的宅院营造观念里，进入前庭、转向后院是共识的默认路径，也成为空间情绪转换的必要前提，位于成都西郊的L宅即是如此。推门而入，由曲折回廊到达礼仪门厅，端景为光，对景为水，无论进出，入口庭院的水景与室内的采光井借光，使室内外发生一定的情感关联，晕染开生动的内部空间。
In the construction concept of Oriental residence，entering the ante-court then turning to the backyard is thecommon route, also a necessary premise for the transformation of mood, as is the case with L house in the western suburbs of Chengdu.Pushing the door and stepping in, wander from the winding corridor to the ceremonial hall，the indoor skylight becomes the end scenery and the outdoor waterscape becomes the opposite scenery，together they crate a emotional connection and halos the vivid internal space.
对称美学向来呈现出古典的韵律，客厅窗体以平面为轴线，结合建筑外立面的形态镜像出相同尺度的对位关系。转角沙发和西侧的落地绿植与非对称的电视背景形成三维空间里非均衡的视觉美感，而垂直空间的材料，以体块和盒子的方式，由一个立面流动到另一个立面，构成连续性的立面景观。
Symmetrical aesthetics always presented as classical rhythms。The windows in living room takes the plane as the axis, combined with the morphology of the building facade to mirror the counterpoint relationship of the same scale. Corner sofa and greenery on the west side, together with asymmetrical TV backgrounds forms a non-balanced visual aesthetic in this three- dimensional space. While in the vertical space, blocks and boxes flowing from one facade to another, forming a continuous landscape.
精神角落
The Spiritual Corner
━
在原始的建筑结构里，地下室和一层各成一体，如何解决地下室采光、通风、潮湿等实际问题从而被激活、同时相互打通产生更丰富的动线连接和空间互动成为设计的关键，在两层的立体框架之中，内置一处天井庭院，地下室的主要功能空间依据其一字排开，室内与室外之间“巧于因借”，使庭院成为家庭活动区的主要核心。
In the original building structure, the basement and first floor were integrated. How to solve practical problems such as lighting, ventilation, and humidity , then active the basement to create a smooth traffic flow and spatial interaction has become the key to the design.In this three-dimensional space, a patio courtyard was built in, according it lined up the main functional spaces of basement. The indoor and outdoor spaces are "smartly borrowed", Making the courtyard the main core of the family activity area.
园林历来为造型艺术，也是模仿自然、亲近自然和写意自然的场所体现，黑松、碎石、苔藓因地就势，构成起伏、连绵的山丘。在日式造园里，“草”踏脚石是重要的表现元素，千层石的原始形态置于庭院之中，凸显几分自然的野趣。在园林的境界追求里，心境、语境、意境、情境虽一字之差，但相互递进和转换的关系，构成了居住者理想的、丰沛的精神角落。
The garden has always been a plastic art, and it is also a place for imitating nature, getting close to nature and freehand nature. Black pine, gravel, and moss form rolling hills due to the terrain. In Japanese-style gardening,natural stepping stones are an important element of expression. The original form of Melaleuca stone is placed in the courtyard, highlighting a bit of natural wildness. In the pursuit of garden realm,the mood, context, artistic conception and situation together interrelated and transformed，constitutes an ideal and rich spiritual corner for residents.
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项目信息
Information
━
项目名称：精神的意象
Project Name：The Image Of Spirit
项目地点：四川成都
Project Location：Chen Du
室内设计：罗刚设计事务所
Interior Design：Designer Office Luo Gang
主创设计：罗刚
Chief Design：Luo Gang
设计团队：张永 朱思怡
Design Team:：Zhang Yong Zhu Siyi
执行团队：成都寅午空间设计有限公司
Executive Team：YinWu Space Design Co., Ltd
项目面积：920㎡
Project Area：920㎡
竣工时间：2021年12月
Completion Date：December 2021
项目摄影：偏方摄影/DD向蜀行
Photography：Pian Fang Photo Studio/Xiang Shu Xing
项目撰文：无远文字/月球
Project Writing：off-words/Moon
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